Authors utilize a variety of literally techniques to convey feelings and ideas. Edward Said uses many different strategies to represent the Palestinian people throughout his essay “States”. In creating awareness of the Palestinian struggle Said employs numerous distinct techniques and strategies to convey his message and elicit emotion from the reader.
Said uses photographs along with his own interpretations throughout the text to convey emotion to the reader in a very vivid way. These pictures display great depth into the emotional connection Said feels towards the Palestinian people along with his compassion of a call to action. The unique way that he displays ...view middle of the document...
The story of Palestine cannot be told smoothly. Instead, the past, like the present, offers only occurrences and coincidences. Random.” (587)
This quotes is powerful because of the flow of words and grammar selection. Said makes the reader pause with each period and ends the paragraph with a single sentence word causing his message of Palestinian struggle to be conveyed in literary genius.
The utilization of repetition is another literary technique Said emphasizes. The word exile is used throughout the work and drives home a point of feelings for the Palestinians. Said writes that they are “exiles at home as well as abroad…”(542) in response to lack of a homeland and the constant issue of presenting identification in other Arab states. When refereeing to the children and their lack of ethnicity Said refers to “Palestine is exile…”(557) and “Exile is a series of portraits without names, without context.” (543). The repetition of such a word drives the point home that Palestinians are left with nothing which relates to his message.
Another technique Said practices is by speaking in first person he creates a sense of credibility. When Said speaks this way it draws the reader in. It creates a sort of reliability that ones self could be in the situation. Said writes: “dialectics of self and other, the subject “I” who is native, authentic, at home, and the object of “it” or “you” who is foreign…”(565), the Palestinian...